Education
M.F.A. Printmaking, University of Alberta, Alberta, Canada.
Service
| 2017-2024 | Editor Advisory Board, Cultural and Pedagogical Inquiry, U of Alberta |
| 2019-2000 | Volunteer, Chinese Canadian Together Foundation, Calgary |
| 2004-2005 | Board Director, Calgary Vietnamese Canadian Youth (CVYG), Calgary |
| 2000-2005 | Board Director, The New Gallery, Calgary |
| 2005-2006 | Striking Committee, Asian Heritage Foundation, Calgary |
| 2006-2009 | President, Alberta Printmakers’ Society and Artist Proof Gallery, Calgary |
Creative Research
| 1992-2002 | System and Language, Man and Nature |
| 2002-2014 | Identity, Labour/ Production in Globalization |
| 2014- | Ecology, Gender Ex/Inclusion, Globalization |
| 2022-2023 |
TickLiceMiteFly, an artbook of ten images from ten handsewn fibre objects / ten recycled wearable neckties in shapes of Albertan insects. This series is part of a larger art installation. Each small image is 6” H x 4” W
Key: Ecology, Stewardship, and Shapeshifting |
| 2019- |
Neck to Neck: Rise Up Faster than the Sea: 1) an artbook, 2) an art intervention, and 3) art installation. Work in Progress
Key: Local Vs. global, Ecology, Stewardship, and Shapeshifting |
| 2019- |
Book Project, Sold Diversity: Equality and Inclusion in A Capitalist Framework, 18 scholars and creative researchers, edit by Kim Lan Huynh and Cecille DePass.
Key: Asian Canadians, Interdisciplinary Studies, Regional Vs. Global, Friction Vs. Connection, Diversity, Equality, and Inclusions |
| 2019- |
Dong Ganh, 2019-2021, 1st visual element, a series of six lenticular photographs (each is 22”x26”) in 2019 as part of an installation. The images are documentations from a performance by an Asian woman with six load carriers.
Dong Ganh, 2021-2023, 2nd visual element, ten large photographs (each is 66”x44”) in an installation paring with working objects in the background Key: Gender Inequality, Issues of Globalization in the Third World Nations |
| 2020- |
hole/whole 2: Reworked eighteen lithographs into a series of forty- eight photographs. Each image 20”x26”
Key: Corporates Vs. Consumers, Obscure/Conceal/Covering |
| 2015-2017 |
If I Had a Hammer – part 1, three visual components, 400 sq/f mixed-media installation
Key: Question of Asian Canadian art in Canada, and Man and Nature |
| 2014-2016 |
Demulsify, four visual components, 450 square foot mixed media installation
Key: Natural Resources, Globalization, Childcare and Education |
| 2012-2014 |
Ministry of Things - part 3, thirteen contemporary Asian Canadian logos. Digital print, each is 66” H x 44” W
Key: China and Globalization, Complexity in Perceptions of Asian Canadians in Canada: Diversity, Inclusion, and Equality |
| 2007-2009 |
The Burden of 4,000 Pearls, two visual components, 400 sq/f mixed-media installation
Key: Dream and Reality, Globalization, and Gaps 1% Vs. 99% |
| 2009-2011 |
hole/whole, eighteen lithographs, each 30” H x 22” W
Key: Dream and Reality, Corporates Vs. Consumers, Obscure/Conceal/Covering |
| 2007-2008 |
Salt, Pacific, & Islands, Three visual components, 400 square foot mixed-media installation
Key: Corporates Vs. Consumers, Nature Vs. Capitalism |
| 2003-2013 |
Ministry of Things - part 2, reconstruct eight Asian Canadian murals. Varied Size from 8 feet H x 21 feet W to 8 feet H x 60 feet W
Key: History and Heritage, Globalization, Perceptions of Asians Canadians in Canadian Urban Landscape: Diversity, Inclusion, and Equality |
| 2005-2007 |
Hokusai, the Library, and the Sky - part 1, four visual components, 400 square foot mixed-media installation
Key: The University’s Library, Multiculturalism in Canada, History and Complexity of Inclusion, Inclusion and Equality |
| 2005-2007 |
Book Project, Pro Production, edited by Kim Lan. Huynh, published by Bayeux, Calgary
Key: History and Heritage, Globalization: Friction and Connection between First World Nations and Third World Nations |
| 2005-2007 |
Ministry of Things - part 1, twelve assemblages on wall: each is 4”H x 6” W, and eight digital prints: Each 66” x 44”. Reconstruct 1400’s British family shields in Chinese mosaics
Key: Subversion, Perceptions of Asians Canadians in Canada, and Cultural Identity Formation |
| 2002-2004 |
Unless, five visual components, 500 square foot, print-media, and mixed-media installation
Key: Globalization: Friction and Connection between First World Nations, and Third World Nations |
| 2001-2003 |
Fibrea / Fibrous, two visual components, 400 square foot mixed-media installation
Key: History, Production, and Role of Women in Globalization |
| 2001-2003 |
Labour of Love, three visual components, 400 square foot mixed-media installation
Key: Minority, and History of Colonization and Patriarchy |
| 2001-2003 |
Book project, of Word / of Skin, edited by Kim Lan Huynh
Key: Post Structuralist: Language System, Obscure/Conceal/Covering |
| 1999-2001 |
of Word / of Skin - part 2, four visual components, 400 square foot mixed-media installation. A wall of print mural on punctuation marks from top hat designs, and fifteen handsewn top hat performants
Key: Post Structuralist: Language System, Obscure/Conceal/Covering |
| 1997-1999 |
of Word/ of Skin - part 1, two visual components, 400 square foot mixed-media installation. A wall mural/imprint from a 1907 basement, text, and a top hats- cloud
Key: Post Structuralist: Language System, Obscure/Conceal/Covering |
| 1994-1996 |
Library Science Series, thirteen book-assemblages on floor from commercial reject book printing. Each 5 feet H x 7 feet W
Key: Knowledge, Dissemination, and Gate Keepers |
| 1992-1994 |
Visual Cults Performants, fifteen Chine-collies from selected imageries in Chinese magazine. Each 8.5”H x 11” W
Key: Zones of Instability, Ethnicity, Popular Culture, and Transience |
| 1990-1994 |
of a (w)hole, twenty large etchings after Lacan on Chinese written characters. Each 24” H x 36” W
Key: After Lacan: Man and Nature, Language in System |
| 1988-1990 |
The Subject and Power, nine large drawing/painting: each is 8 feet H x 7 feet W, and three lithographs: Each 22” H x 30” W
Key: After Foucault: Man and Man in System |
Art Publications/Exhibitions
Solo
| 2017 | If I Had a Hammer - part 02, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| 2016 | If I Had a Hammer - part 01, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| 2013 | Bless Your Heart, Time mural, 8 feet H x 12 feet W, two-person exhibition, Muii Gallery, New York |
| Metropolis Calgary, mural, 8 feet H x 44 feet W, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| 2011-13 |
hole / whole, Travel Exhibition, AFA:
Northern Alberta, Sept.2011- Sept. 2013 Artist Proof Gallery, Calgary, Alberta, 2011 Department of Art and Art History’s Gallery, Alberta, 2011 |
| 2012 | Spheres of Influences, NORTH mural, 8 feet H x 42 feet W, Department of Art and Art History’s Gallery, University of Calgary, Calgary, Alberta |
| 2011 | Ministry of thing - part 03, fifteen contemporary Asian Canadian logos, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| 2010 | Four Alphanumeric, mural, 8 feet H x 42 feet W, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| 2007 | Edmonton CN Tower, a mural on both vertical wall and floor, 45 feet H x 12 feet W, Harcourt House Artist Run Center, Edmonton, Alberta |
| Ministry of thing - part 01, twelve Asian wall assemblages, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| Hokusai, the Library, and the Sky - part 01, Kaslo Art Gallery, British Columbia | |
| 2005 | Inflected Signs, Vancouver International Center for Contemporary Asian Art, Vancouver, British Columbia |
| Calgary Tower, mural, 8 feet x 50 feet, Department of Art and Art History’s Gallery, Alberta | |
| 2004 | Artist Proof: 1992-2004 Print Work, University Theater, Calgary, Alberta |
| 2003 | Flash: Blue Whale in Fraser River, mural, 9 feet H x 42 feet W, Richmond Art Gallery, Richmond, B.C. |
| 2002 | Fibrea / Fibreus (Labor and Production in Cotton), Open Studio Gallery, Toronto |
| 2001 | Of Word, of Skin - part 02, Vancouver Access Gallery, Vancouver, British Columbia |
| 2000 | Of Word, of Skin - part 01, The New Gallery, Calgary, Alberta |
| 1999 | Auto Trace, Department of Art and Art History’s Gallery, Alberta |
| 1997 | Word Processor, The Prairie Gallery, Grande Prairie |
| 1995 | Fragment, Memory, two-person exhibition, Open Space Gallery, Victoria, British Columbia |
| 1994 | Being Letters, University of Guelph’s Gallery, Guelph |
| Spare Canon, University of Victoria’s Gallery, British Columbia | |
| 1993 | The Subject and Power, Rice Theater, Edmonton, Alberta |
| 1992 | Of a (W)hole, F A B Gallery, Edmonton, Alberta |
| 1989 | The Subject and Power, Two-persons exhibition, M–Gallery, University of Victoria, British Columbia |
Group
| 2022 | Postmin Show, (TickLiceMiteFly), Department of Art and Art History’s Gallery, Calgary, Alberta |
| Sustain, Ramp Gallery, St. Louis Artists Guild, Clayton Missouri, and Cleveland Art Institute, Cleveland Ohio, in association with the Mid-America Print Council Conference, Kent State University, Kent, Ohio, USA, (01 etching in the edition of 24) | |
| 2019-2020 | A. B. Wild, Print Portfolio, project by Kim Huynh with 17 artists. Department of Art and Art History’s Gallery, Calgary, Alberta, 2019 |
| A. B. Wild, Framed on Fifth Gallery, Calgary, 2020 | |
| 2019 | Negotiating Asian-ness in Canada, The Work, curated by Huai-Yang Lim, Edmonton, Alberta, June-July (05 lenticular photographs) |
| Postmin Show, Department of Art and Art History’s Gallery, MFA, University of Calgary, Alberta, Nov. 2019 (01 print) | |
| 2018 | Faculty Exhibition (03 documentations from If I Had a Hammer- part 01), Department of Art and Art History’s Gallery, U of Calgary, Alberta |
| Postmin Show, Department of Art and Art History’s Gallery, MFA, Alberta, (05 collaborations print objects with Art 373 class) | |
| 2017 | Art Leighton Center (03 lithographs), Alberta, June –September. |
| Post Min Show, Department of Art and Art History’s Gallery, MFA and BFA, Alberta, December (01 photo object) | |
| Project Vision Chicago, Asian Youth, fundraiser exhibition (02 photographic objects) | |
| Faculty Exhibition, Department of Art and Art History’s Gallery, U of Calgary, Alberta, (02 metal works: Husky and Nexus) | |
| Us-Them-Us, curated by Dr. Jennifer Eiserman, Department of Art and Art History, U of Calgary, Alberta (05 documentations on If I have an Hammer-part 01) | |
| 2016 | Postmin Show, Department of Art and Art History’s Gallery, Alberta, (01 photo object) |
| The 8th International Printmaking Biennale (02 large prints), Portugal, August/October | |
| Generations: 50 Years of Art at the University and Beyond (installation Demulsify) curated by Mary-Beth Laviolette, Nickle Galleries, University of Calgary, Alberta | |
| University of Alberta: 50 Years Anniversary (02 metal Logos artworks), Edmonton, Alberta | |
| Faculty Exhibition (a work in progress), Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| 2015 | The 2nd Global Print (06 panels of a large print), Miguel Torga Culture Sabrosa |
| Second Life, Virtual Biennale, Douro, Portugal, August/September | |
| Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| Faculty Exhibition (01 digital logo), Department of Art and Art History’s Gallery, Alberta | |
| 2014 | The Lure of the Local—Women Artists in the Canadian Land(scape), curated by Caterina Pizanias, Vorres Museum, Athens, Greek, November 2013-January 2014, an installation |
| Postmin Show, Department of Art and Art History’s Gallery, Alberta | |
| Printed in Taiwan, travel exhibition, curated by Guy Langevin and Rock Shen Chin Yuan Centre d’exposition Raymond-Lasnier, Trois -Rivieres, Quebec | |
| Faculty Exhibition (01 digital logo), Department of Art and Art History’s Gallery, Alberta | |
| 2013 | Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| Faculty Exhibition, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| 2012 | Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| Faculty Exhibition, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| 2011 | Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta |
| 2010 | Hemisphere, Embassy of Canadian Gallery, Tokyo |
| 2009 | Post Min Show, Department of Art and Art History’s Galleries Gallery, University of Calgary, Alberta |
| On Louise Bougeois, Untitled Art Gallery, Calgary, Alberta | |
| Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| Self Portrait Show, Untitled Art Gallery, Calgary, Alberta | |
| Calgary Print Work, Arts Atlanta Gallery, Calgary, Alberta | |
| Biennale Exhibition, Trois- Rivieres Gallery, Quebec | |
| Triennial Exhibition, Vernon Art Gallery, British Columbia | |
| Faculty Show (installation Olympic 2008), Nickle Galleries, Calgary, Alberta | |
| The World Is a Small Place, University of Alaska, Alaska | |
| RootSoilBlossom, Asian Heritage Foundation, Calgary, Alberta | |
| 2008 | Faculty Show (installation Pacific Ocean), Nickle Galleries, Calgary, Alberta |
| Soup & Sustenance, Portage Arts Council, Portage la Prairie | |
| April Katz, Iowa State University, USA | |
| Postmin Show, Department of Art and Art History’s Gallery, University of Calgary, Alberta | |
| 2007 | Room of Their Own, Curate by Prof. Liz Ingram, University of Alberta Museum, Edmonton, Alberta |
| Faculty Show (work-in progress Pacific Ocean), Nickle Galleries, Alberta | |
| 2006 | Santo Mignota Portfolio, University Theater, Calgary, Alberta |
| History, Time and Place, Image 54 Art Gallery, Calgary, Alberta | |
| Faculty Show, Nickle Galleries, Calgary, Alberta | |
| 2005 | Faculty Show (installation Flood), Nickle Galleries, Calgary, Alberta |
| The Aesthetic of Everyday: The Foreign & the Familiar, curated by Quyen Hoang, Glenbow Museum, Calgary, Alberta, installation Unless | |
| 2004 | The Work, (01 object English Rose and 03 prints), Canmore, Alberta |
| Faculty Show (installation Unless), Nickle Galleries, Calgary, Alberta | |
| The 10th Anniversary of Artwork, Access Art Gallery, Vancouver, British Columbia | |
| 2003 | Faculty Show (installation Labor of Love), Nickle Galleries, Calgary, Alberta |
| Collaborated Art, Boston University College of Fine Arts, Boston, USA | |
| Japanese/Canadian Exchanged Art works, Shan Chung Art Gallery, Calgary, Alberta | |
| Confluent Visual Cultures, FAB gallery, Edmonton, Alberta | |
| From the Archirve-20 years of SNAP, SNAP Gallery, Edmonton, Alberta | |
| 2002 | Reaction 9-11 (traveling exhibition) |
| Exist Art Gallery, New York | |
| Alyce de Roulet Williamson, Pasadena, CA | |
| Faculty Show (art installation), Nickle Galleries, Calgary, Alberta | |
| 2001 | Faculty Show (installation Texts as Sculpture), Nickle Galleries, Alberta |
| Cross-over, Acadia University, Nova Scotia | |
| Faculty Show (a part of installation White Dusk), Nickle Galleries, Calgary, Alberta | |
| 2000 | Brave New Prints (traveling exhibition) |
| McMullen Gallery, Edmonton, Alberta, 2001 | |
| Untitled Art Society, Calgary, Alberta, 2001 | |
| Acadia University, Nova Scotia, 2001 | |
| TELUS Convention Centre, Alberta, 2000 | |
| Faculty Show (02 large panels as installation), Nickle Galleries, Calgary, Alberta | |
| 1997-2000 | Lines of Sites (traveling exhibition) |
| Prague, Czech, 2000 | |
| The Royal College of Art, England, 1999 | |
| Musashino Art University, Tokyo, 1999 | |
| ACAD College, Calgary, Alberta, 1999 | |
| University of Alberta, Edmonton, Alberta, 1997 | |
| 1999 | Faculty Show (installation of Word/of Skin 1) Leonard & Bina Ellen Art Gallery, Montreal |
| Faculty Show (installation as a large painting and a large print), Nickle Galleries, Calgary, Alberta | |
| 1998 | Faculty Show, (a mixed print-installation), Concordia University, Leonard & Bina Ellen Art Gallery, Montreal |
| 1996 | Framed, MacDonald Steward Art Center, Guelph |
| 1 9 9 6, Art Gallery of Hamilton, Hamilton | |
| 1995 | Print, Profile Gallery, St. Albert, Alberta |
| 1994 | The International Biennale of Graphic Art, Lubin, Poland |
| Lasting Impression 2, F A B gallery, University of Alberta, Alberta | |
| SNAP and AP Exhibition, Muttart Conservator Gallery, Calgary, Alberta | |
| 1993 | The 20th International Biennale of Graphic Art, Ljubljana, Slovenia |
| The 5th Annual Exhibition What's New Alberta, Margaret Brine Gallery, Edmonton, Alberta | |
| The 2nd Kochi International Triennial Exhibition, Kochi–Ken, Japan | |
| The 5th Biennial Exhibition of prints, Museum of Modern Art, Wakayama, Japan | |
| 1992 | The 17th International Independent Exhibition of Prints, Kanagawa, Prefectual Gallery, Japan |
| Gulf Canada 1 9 9 2, AP Printmakers, Calgary, Alberta | |
| The 5th Biennial Taipei Exhibition, Taipei Art Museum, Taiwan | |
| 1991 | Lasting Impressions, F A B Gallery, University of Alberta, Alberta |
| Window to the Future' 91, McMullen Gallery, Edmonton, Alberta | |
| Maison de la Culture, Namur, Belgium | |
| 5 3 Chairs, Latitude 53 Gallery, Edmonton, Alberta | |
| 1990 | Exchanged Works, Department of Art and Art History’s Gallery, U of Calgary, Alberta |
| Pressing Issues, FAB Gallery, Edmonton, Alberta | |
| Artropolis, The Round House, Vancouver, British Columbia | |
| Selected Works, McPherson Library, Victoria, British Columbia |
Essays and Catalogue Exhibitions
| 2020 | McQuitty, Jane,” Kim Huynh's Dialogic Tropes: Pearls and Bodies in The Burden of 4000 Pearls (2007-9) and hole/whole (2011) “Special Issue of CPI” I know Why the Caged Bird Sings”, Summer |
| 2017 | Eiserman, J. Us-Them-Us: Artists Interrogate the Ambivalent Structures of Belonging [Editorial Introduction to Special Edition], Cultural and Pedagogical Inquiry 9(1) Special Edition (2017). Summer. https://ejournals.library.ualberta.ca/index.php/cpi |
| Canada’s 150th Anniversary, Missing Chapter: Asian Canadian Story, by Asian Heritage Foundation (article on Kim Huynh by Eric Wu), 2017 | |
| 2016 | Huynh, Kim, If I Had a Hammer- [artwork and artist’s statement], Cultural and Pedagogical Inquiry 9(1) Special Edition, Maya Angelou, Fall, 2016 |
| 2010 | Huynh, Kim. ed. Pro production. Calgary: Bayeux (2010) |
| Tokaryk, Wendy. ed. Hemispheres (exhibition catalogue). Calgary: Blurb | |
| Philips-Kiesser, Carrie. hole/whole (exhibition article). Calgary: Artist Proof Gallery | |
| Averns, Dick. Self Portrait (group exhibition) Calgary: UAS Website | |
| 2007 | Vida, Sandra. Calgary Printmakers Find a New Home. FFWD 11(2007): 38 |
| Lou, Joni. Flash: Richmond (exhibition catalogue) Richmond Art Gallery | |
| 2006 | Windsor, Alice. Banished from Her Country. Hokusai, the Library, and the Sky (exhibition catalogue.) Kaslo Art Gallery |
| Perron, Mireille. Making noise with forgotten punctuation marks, spoiled syllables, clipped sentences, infected paragraphs and mere mouthing YYZ 2(2006): 105-115 | |
| 2002 | Ghaznavi, Corinna. Fibrea/Fibreus (exhibition catalogue) Open Gallery |
| 2001 | Huynh, Kim. ed. of Word, of Skin (exhibition catalogue) The New Gallery |
Artist Talks and Conference Paper Presentations
| 2020 | Elastic Memory, Conference Paper, Text and Image of Water and Land at University of Luxembourg, July |
| 2017 | Art of the Aftermath, Conference Paper, Lauzon, Claudette, moderator (Yani Kong, Susan Cahill, and Kim Huynh UAAC, Panel Presentation) Oct 12, 2017 |
| 2016 | Us-Them-Us, Artist Presentation: Stephen Nunoda, Dick Averns, Jean-Rene LeBlanc, Kim Huynh, Chaired by Jennifer Eiserman |
| 2014 | Encuentro, Conference Paper, Oscillation: Performativity in Studio Art Process, Concordia University, Montreal, June |
| 2011 | Artist Presentation, Ten Years on Mural Works, Asian Studies Group, University of Calgary, Calgary |
| Artist Presentation, Method, Cultural Material and Process in My Art Installation, Hunan Fine Arts University, Hunan, China | |
| Artist Presentation, Consumerism and Globalization, EM Media, Calgary | |
| 2007 | Artist Presentation, Contemporary Asian Canadian Art in Canada, Dae-jing University, Seoul, Korea, January 2007 |
| 2006 | Artist Presentation, Contemporary Asian Canadian Art in Canada, Interdisciplinary Art Center, Ho Chi Minh City, Vietnam, December |
| Interview, History, Time and Place, CKUA (August 05) | |
| 2005 | Artist Presentation, Inflected Signs (Concerns of Globalization), Vancouver International Center for Contemporary Asian Art, Vancouver, April |
| Artist Presentation for A Teaching Position, Relationships of Subjects/Objects in My Art, Emily Carr Institute of Arts and Designs, Vancouver, October | |
| 2004 | Tour Guide, Unless, University of Alberta’s undergraduate students, a field trip to Nickle Art Museum, Calgary, February 2004 |
| 2003 | Artist Presentation for a Teaching Position, Two Recent Installation Arts, Art Department, York University, Toronto, April 2003 |
| 2001 | Artist Presentation, of Word, of Skin (Language as an Embedded System), Capilano College, North Vancouver, March |
| Artist Presentation, The Subject and Power, Printmaking Department, U B C, Vancouver, February 2001 | |
| 1999 | Lecture Presentation for A Teaching Position Relationships of Subjects / Objects in My Art, Department of Art and Art History, U of C |
Panel Discussions
| 2017 | Demusify as a Cultural Production on Local and Global Contexts, Round Table Discussion, with guests panel Merreille Perron, Rosmary Brown, Sandra Vida, Susan Bennett, Kim Huynh and Graduate students Art 661, rm 641, AB building, University of Calgary, March 21, 2017, Moderated by Professor Susan Bennett |
| Inclusive Art Community, panel discussion, Asian Heritage Foundation and Vertigo, Nov. 13, 2017, by Asian Heritage Foundation | |
| 2015 | City of Calgary, Collaborative Dialogue on City Art Residency, moderator Ford, Dawn, participant panels, November 2015 |
| 2009 | Panel Discussion, RootSoilBlossom (Asian Canadian Artists in Alberta), Calgary Asian Heritage, Calgary, Alberta |
| 2006 | Panel discussion, Perspective Chinese Canadian Culture at Shanghai Expos 2008, Sponsored by Multiculturalism Department Ottawa, Harry Hays, Calgary, March 2006 |
| 2005 | Round Table Discussion, The Aesthetic of Everyday: The Foreign & the Familiar, Moderated by Prof. Shaobo Xie, Calgary, September 2005 |
| 2002 | Panel discussion, Preparation for Life at Colleges, and Universities, CVYG conference, University of Calgary, Calgary, March 2002 |
Curatorial Projects
| 2020 | A. B. Wild, Art exhibition, Framed on Fifth, Calgary 2019 |
| A.B. Wild, Art exhibition, Department of Art and Art History’s Gallery, U of C, Calgary Memory, Time and Place (selected art works from local artists and U of C alumni), Alberta College of Arts and Designs, Calgary(2009) | |
| 2008 | Permeable, Art exhibition of emergent artists in Calgary, Artist Proof Gallery, Calgary |
| 2007 | Permeable, Art Residency’s Director, Alberta Printmakers’ Society, 6 weeks Art Residency, Calgary |
| 2006 | History, Time and Place, An exhibition of art works from artists in various cities in Alberta, Image 54 Gallery, Calgary |
| 2004 | Time, Memory and Place, Exchanged Art Exhibition , University of Guelph & University of Calgary, University of Guelph Art Gallery, Guelph |
| 2003 | Definition of Drawing, Exchanged Art Exhibition, Red Deer College & University of Calgary, Red Deer College Art Gallery, Red Deer |
| Definition of Drawing, Exchanged Art Exhibition, University of Alberta & University of Calgary, University of Alberta, Edmonton | |
| 2000 | Manuals pour Sciences Inexistantes, an art exhibition, Belgo, Montreal |
Thematic Art Residencies
| 2004 | IntraNation’s Art Residency, Labor and Production in the Third World Nations, Banff Center for the Arts, Banff, 7 weeks in May and July 2004 |
| 2003 | Big Rock‘s Art Residency, Legacy and Authority of English Top Hat, Banff Center for the Arts, Banff, 7 weeks in April and June 2003 |
Collections
| Canada Council for the Arts, Ottawa |
| Print and Drawing Council, Ottawa |
| Kim Center, University of Alberta, Edmonton |
| Cross River, Kootenay National Park, British Columbia |
| Printmaking Dept. University of Alberta, Edmonton |
| Chu-Bachinski Print Collection, University of Guelph |
| University of Jaipur, Jaipur, India |
| Shanghai Art Museum, Shanghai, Republic of China |
| Graphic Art Museum, Lubin, Poland |
| Dawson College 's Library Collection, Montreal |
| Department of Art and Art History, Arts, University of Calgary |
Scholarships / Awards
| 2020 | Research Fellowship, University of Calgary, Calgary, June-Dec.2020 |
| 2019 | Graduate Studies, Great Supervisor Award, University of Calgary |
| 2017 | Research Fellowship, University of Calgary, Calgary, 2016 June 2016- June 2017 |
| 2013 | Research Fellowship, University of Calgary, Calgary, 2013 June 2013- Dec. 2013 |
| 2010 | Alberta Foundation for the Arts, Project Grant, Calgary |
| 2007 | Research Fellowship, University of Calgary, Calgary, 2007 June 2007-Dec. 2007 |
| 2006 | Teaching Excellent Nominated, Department of Art, U of Calgary, Calgary |
| 2005 | Travel Grant, Canada Council for the Arts, Ottawa |
| Travel Grant, URGC, University of Calgary, Calgary | |
| 2004 | Art Residency’s Scholarship, Banff Center, Banff |
| 2003 | Travel Grant, IntraNation, Banff Center |
| Art Residency’s Scholarship, Banff Center, Banff | |
| Alberta Art Foundation, Project Grant, Edmonton | |
| 2002 | Travel Grant, Canada Council for the Arts, Ottawa |
| Project Grant, University of Calgary, Calgary | |
| 2001 | Travel Grant, Canada Council of the Arts, Calgary |
| 2000 | Research Excellence Envelope Grant, Faculty of Fine Arts, U of C |
| 1999 | Learning Common-Technology, University of Calgary, Calgary |
| Research Excellence Envelope Grant, University of Calgary, Calgary | |
| 1996 | Ontario Art Council, Guelph, Ontario |
| 1993 | Research Assistant Grant, University of Alberta, Edmonton |
| British Columbia Assistant Grant, Vancouver | |
| 1992 | Travel Grant, University of Alberta, Edmonton |
| 1991 | Research Assistant Grant, University of Alberta, Edmonton |
| Alberta Art Foundation, Scholarship, Edmonton | |
| 1990 | British Columbia Assistant Grant, Victoria |
| 1989 | Pat Martin Bates Scholarship, University of Victoria, Victoria |
Teaching
University of Calgary, Undergraduate Courses, Department of Art and Art History
| Art 233 | Three-Dimensional Study |
| Art 481 | Sculpture 01 |
| Art 483 | Sculpture 02 |
| Art 241 | Drawing 01 |
| Art 243 | Drawing 02 |
| Art 341 | Drawing 03 |
| Art 343 | Drawing 04 |
| Art 345 | Anatomical Drawing 01 |
| Art 347 | Anatomical Drawing 02 |
| Art 271 | Introductory Intaglio |
| Art 379 | Printmaking: Etching |
| Art 373 | Printmaking: Lithography |
| Art 473 | Intermediate Printmaking: Lithography, Etching & Silkscreen |
| Art 573 | Advance Printmaking: Lithography, Etching & Silkscreen |
| Art 461 | Advanced Studio 01 |
| Art 463 | Advanced Studio 02 |
| Art 499 | Theory and Studio Arts Practice |
| Art 513 | Independent Research Topic |
University of Calgary, Graduate Courses, Department of Art and Art History
| Art 661.01 | Graduate Critical Research Production |
| Art 661.02 | Graduate Thesis Research Production |
| Art 605.00 | Graduate Independent Critical and Research Project |
University of Calgary, Graduate Supervision, Department of Art and Art History
| Tara Manifingers, 2020-2023, Mixed Media Installation Art, Supervisor |
| Shoudo Qu, 2020-2022, Painting, Supervisor |
| Yeisen Chang, 2020, Media Installation, Internal Examiner |
| Neha Syed, 2018-2020, Miniature Painting and Installation Art, Supervisor |
| Joel Warkentin, 2019, Sculptural Objects, Internal Examiner |
| Nurgul Rodriguez del Ojo, 2015-2017, Ceramic Installation, Supervisor |
| Elmira Sarreshtehdari, 2015-2017, Mixed-media Installation, Supervisor |
| Ziya Lin, 2015-2017, Drawing Installation, Supervisor |
| Marzieh Mosavarzadeh, 2014-2016, Print Installation, Co-supervisors |
| Ann Procter, 2014-2015, Mixed-Media Installation, Supervisor |
| Vince Kogut, Fall 2014, Painting, Interim supervisor |
| Alexantria Inkster, Fall 2014, Performance, Interim supervisor |
| Derrick Hoekstra, 2013-2015, Mixed-Media, Supervisor committee member |
| Lorie Cooper, 2013-2016, Site Intervention, Supervisor |
| Dana Tosic, 2010-2012, Print-Media, Supervisor |
| Hakan Temucin, 2009-2011, Photography, Supervisor committee member |
| Adina Edwards, 2008-2010, Installation Art, Supervisor |
| Lisa Borin, 2008-2010, Installation Art, Supervisor committee member |
| D’Arcy Wilson, 2007-2009, Mixed-Media Installation, Supervisor |
| Courtney Chetwynd, 2006-2008, Installation Art, Supervisor |
| Jane McQuitty, 2006-2008, CNN Installation, Supervisor committee member |
| Marianne Dawn Coreless, 2005-2007, Installation Art, Supervisor |
| Mathew Walker, 2004-2006, Sculpture, Supervisor |
| Tanya Lynn Rusnak, 2004-2006, Installation Art, Supervisor committee member |
| Erin Alexandra Finley, 2003-2005, Drawing and Painting, Supervisor committee member |
| Meghan Margaret Rose Lewick, 2002-2004, Installation Art, Supervisor |
| Catherine Jessie Paleczny, 2002-2004, Ceramic, Supervisor committee member |
| John Robert Christopher Blaise Salas Luna, 2001-2003, Painting, Supervisor |
| Ingrid Helen Koivukangas, 2001-2003, Installation Art, Supervisor committee member |
| Josephine Chu, 2001-2003, Photography Installation, Supervisor committee member |
| Jessica Tova Levman, 2000-2002, Mixed-Media, Supervisor committee member |
| Sharon Rose Hjartarson, 2000-2002, Installation Art, Supervisor committee member |
| Calvin David Burns, 1999-2001, Mixed Media Installation Art, Supervisor committee member |