Fibrea/Fibrous 2001-2003

(Fibrea/Fibrous 2001-2003 was presented with English Love 2001-2002 as one larger installation). 

Fibrea/Fibrous: 1-A roll of 9 images of women at work, 2-a group of hanging top hats, 3-a heap of fibre on floor. 

In Fibrea/Fibrous 2001-2003, an immersive installation, viewers delve into the intricate tapestry of women's roles within the globalized economy. Through three distinct visual elements, viewers illuminate the evolving historical narrative of women's labor amidst the forces of globalization.

At the center of the exhibit lies a focal point: a heap of fiber, symbolizing the raw material of industry. Adjacent to this, a series of nine poignant images adorns the gallery walls, each depicting female workers from diverse corners of the world, emblazoned with the stark label, "Made in X Country." This juxtaposition invites viewers to contemplate the intertwined relationship between women, labor, and globalization.

Stretching along the gallery's length, an elongated wall serves as a visual timeline, tracing the progression of women stepping beyond the confines of domesticity throughout history. It serves as a poignant reminder of women's enduring contributions to societal stability and progress, despite enduring systemic inequalities.

A vertical array of top hats descends from the ceiling, fashioned from the same fiber material. This motif serves as a powerful symbol of the legacy of male dominance within the workforce, casting light on the enduring challenges faced by women in navigating the complexities of unpaid housework, paid labor, and childcare.

Viewers confront the gendered realities of open free trade, wherein women's access to and control over economic resources are distinctly differentiated. While globalization has ushered in positive strides in improving the quality of life in third world countries, it has also exacerbated inequalities.